KS Bistra
Formats:
Static (OTF, TTF, WOFF, WOFF2)
Release date:
08/03/ 2025.
Version:
1.001.
Typeface design: Nemanja Čubrović
Presentation design: Kosta Rakićević, Nina Mrvoš, Goran Živković
Specimen Illustrations: Nataša Stamatović
KS Bistra is a semi-grotesque with atypical contrast behavior, combining natural and reverse contrast within a humanist framework. Its construction features subtle ink traps, asymmetric and calligraphic curvature, lending both texture and movement. The name- KS Bistra, derived from the Serbian word for “clear” reflects its fluid, river- like morphology. With distinctive forms such as the looped “S” or weird “t,” KS Bistra balances legibility with personality, a grotesque that defies neutrality, designed for distinctive voice in editorial, branding, and mostly display contexts. You can also enhance your designs with selection of ligatures available.
KS Bistra is offered in a single weight and style by design. One cut, done right.
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Das Wahre ist das Ganze. Das Ganze aber ist nur das durch seine Entwicklung sich vollendende Wesen. Es ist das Wesen, das sich als Subjekt verwirklicht, oder, was dasselbe ist, das sich als System entfaltet. Die Substanz ist wesentlich Subjekt. Allein das Wirkliche ist das geistige, das Geistige ist das Wirkliche. Die Wahrheit ist nicht eine fertige Substanz, sondern sie ist das Werden derselben. Sie kann somit ebensosehr als die Widerlegung desjenigen genommen werden, was den Grund des Systems ausmacht, besser aber als ein Aufzeigen, daß der Grund oder das Prinzip des Systems in der Tat nur sein Anfang ist. Daß das Wahre nur als System wirklich, oder daß die Substanz wesentlich Subjekt ist, ist in der Vorstellung ausgedrückt, welche das Absolute als Geist ausspricht, – der erhabenste Begriff, und der der neuern Zeit und ihrer Religion angehört. Das Geistige allein ist das Wirkliche; es ist das Wesen oder An-sich-seiende, – das sich Verhaltende oder Bestimmte, das Anderssein und Für-sich-sein – und in dieser Bestimmtheit oder seinem Außer-sich-sein in sich selbst Bleibende; – oder es ist an und für sich.
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Siddhartha had come to understand that the world of the river was the same as the world of men, that they were one, and that, like all things in the world, the river, too, was in constant motion, eternally flowing, never the same. But how had he come to understand this? Not through thinking, not through study, not through cleverness or wisdom. He had come to understand it through the flow of the river itself, through his long meditations by the water, through his listening to the sound of the water, which spoke to him of the unity of all things. It was not the great teachings or doctrines that had revealed this to him, but the simple, unceasing flow of the river, the never-ending movement of water that mirrors the perpetual motion of life.
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To se stalno ponavlja, ta scena, u životu,
po filmovima i knjigama.
Ljudi piju kafu i puše cigarete.
Pored još nekih radnji
ta scena se stalno ponavlja,
pomislio sam na to i video proziran dim
kako izvire iz šoljice sa vrućom kafom.
Yugoslav
Standard
Latin and Cyrillic Alphabet. Ligatures and Special Characters.
Typeface in use
Information:
Formats:
Static (OTF, TTF, WOFF, WOFF2)
Release date:
08/03/ 2025.
Version:
1.001.
Languages:
Abaza, Acheron, Achinese, Afar, Afrikaans, Alekano, Aleut, Alonquin, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Aragonese, Arbëreshë Albanian, Asháninka, Ashéninka Perené, Balinese, Banjar, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Belarusian, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana, Arsi, Oromo, Bosnian, Breton, Buginese, Candoshi Shapra, Caquinte, Cashibo Cacataibo, Catalan, Cebuano, Central Aymara, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Eastern Arrernte, Eastern Oromo, Erzya, Faroese, Fijian, Filipino, Finnish, Friulian, Galician, German, Gheg Albanian, Gilbertese, Gooniyandi, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Hopi, Huastec, Hungarian, Icelandic, Iloko, Indonesian, Irish, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, K'iche', Kabuverdianu, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karachay, Balkar, Karelian, Kekchí, Kenzi, Mattokki, Khasi, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kumyk, Kven Finnish, Ladin, Ladino, Latgalian, Lombard, Low German, Lower Sorbian, Luba, Lulua, Luo (Kenya and Tanzania), Luxembourgish, Macedonian, Makonde, Malagasy, Malaysian, Maltese, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Moksha, Montenegrin, Munsee, Murrinh, Patha, Mwani Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nogai, Nomatsiguenga, North Ndebele, Northern Qiandong Miao, Northern Uzbek, Norwegian, Nyankole, Occitan, Orma, Oroqen, Pampanga, Papiamento, Pedi, Pichis Ashéninka, Piemontese, Pijin, Pintupi, Luritja, Pohnpeian, Portuguese, Potawatomi, Quechua, Romansh, Rotokas, Rundi, Russian, Rusyn, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scots, Scottish Gaelic, Sena, Serbian, Seri, Seselwa Creole French, Shawnee, Shipibo, Conibo, Shona, Sicilian, Silesian, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swedish, Swiss German, Tagalog, Tahitian, Tedim Chin, Tetum, Tetun Dili, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tumbuka, Tzeltal, Tzotzil, Uab Meto, Ukrainian, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Waray (Philippines), Warlpiri, Wayuu, West Central Oromo, Western Abnaki, Western Frisian, Wiradjuri, Xhosa, Yanesha', Yao, Yucateco, Zulu, Záparo
SRB
Vlajkovićeva 29, Belgrade
+381 65 6502200
UK
Business Design Centre,
52 Upper Street, London
+44 20 711 28853
Get in Touch:
studio@korakstudio.com
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